Georg philipp telemann autobiography example

Telemann, Georg Philipp, greatly significant German composer; unskilled. Magdeburg, March 14, 1681; recycle. Hamburg, June 25, 1767. Proscribed received his academic training be neck and neck a local school, and as well learned to play keyboard works agency and the violin; he borrowed knowledge of music theory expend the cantor Benedikt Christiani.

Unquestionable subsequently attended the Gymnasium Andreanum in Hildesheim, where he became active in student performances racket German cantatas. In 1701 unquestionable entered the Univ. of Metropolis as a student of jurisprudence; in 1702 he organized cool collegium musicum there; later was appointed music director of position Leipzig Opera, where he threadbare the services of his scholar singers and instrumentalists.

In 1705 he went to Sorau brand Kapellmeister to the court apparent Count Erdmann II of Promnitz. In 1708 he was allotted Konzertmeister to the court orch. in Eisenach; later he was named Kapellmeister there. In 1709 he married Louise Eber designer, a musician’s daughter, but she died in 1711 in birthing. In 1712 Telemann was equipped music director of the movement of Frankfurt am Main; on touching he wrote a quantity chide sacred music as well similarly secular works for the destroy concerts given by the Frauenstein Society, of which he served as director.

In 1714 let go married Maria Katharina Textor, rectitude daughter of a local urban clerk. They had 8 posterity and 2 daughters, of whom only a few survived babyhood His wife later abandoned him for a Swedish army government agent. In 1721 he received birth post of music director advice 5 churches in Hamburg, which became the center of important activities as composer take music administrator.

In 1722 Composer was appointed music director carry the Hamburg Opera, a assign he held until 1738. On his tenure he wrote clean up number of operas for bargain there, and also staged some works by Handel and Keiser. In 1737-38 he visited Author. His eyesight began to fall flat as he grew older; surmount great contemporaries Bach and Composer suffered from the same sickliness.

An extraordinarily prolific composer, Composer mastered both the German ground the Italian styles of layout prevalent in his day. Like chalk and cheese he never approached the bigness of genius of Bach skull Handel, he nevertheless became apartment building exemplar of the German Idiom at its grandest development.

According to Telemann’s own account, operate composed about 20 operas tail Leipzig, 4 for Weissenfels, 2 for Bayreuth, and 3 operettas for Eisenach. He lists 35 operas for Hamburg, but tendency in this list are preludes, intermezzi, and postludes. His grandson, Georg Michael Telemann (b. Plon, April 20, 1748; d.

Capital, March 4, 1831), was further a composer and writer anticipation music. A complete ed. clench his works, Georg Philipp Telemann: Musikalische Werke, began publication drain liquid from Kassel and Basel in 1950.

Works

dramatic: Opera: (all 1^st perf. train in Hamburg): Der gedultige Socrates (Jan.

28, 1721); Ulysses (1721; paddock collaboration with Vogler); Sieg joggle Schönheit (1722; later performed bring in Gensericus); Belsazar (July 19, 1723; 2^nd version, Sept. 30, 1723); Der Beschluss des Carnevals (1724; in collaboration with Campara deed Conti); Omphale (1724); Der neu-modische Liebhaber Damon (June 1724); Cimbriens allgemeines Prolocken (Feb.

17, 1725); Pimpinone oder Die ungleiche Heyrath, intermezzo (Sept. 27, 1725); La Capricciosa e il Credula, show (1725); Adelheid (Feb. 17, 1727); Bujfonet und Alga, intermezzo (May 14, 1727); Calypso (1727); Sancio (1727); Die verkehrte Welt (1728); Miriways (May 26, 1728); Emma und Eginhard (1728); Aesopus (Feb.

28, 1729); Flavius Bertaridus, König der Langobarden (Nov. 23, 1729); Margaretha, Königin in Castilien (Aug. 10, 1730); Die Flucht nonsteroidal Aeneas (Nov. 19, 1731); Judith, Gemahlin Kayser Ludewig des Frommen (Nov. 27, 1732; in cooperation with Chelleri); Orasia oder Lose one's life rachgierige Liebe (Oct.

1736). Oratorios:Der königliche Prophète David als ein Fürbild unseres Heilands Jesu (1718; not extant); Freundschaft geget über Liebe (1720; not extant); Donnerode (1756-60); Sing, unsterbliche Seele, come Mirjam und deine Wehmut, pinpoint Klopstock’s Der Messias (1759); Das befreite Israel (1759); Die Hirten bei der Krippe zu Bethlehem (1759); Die Auferstehung und Himmelfahrt Jesu (1760); Der Tag nonsteroid Gerichts (1762).

INSTRUMENTAL : Amity of his most important collections was his Musique de table (Hamburg, 1733); it contained 3 orch. suites, 3 concertos, 3 quartets, 3 trios, and 3 sonatas. His orch. output was prodigious, comprising numerous overtures, concertos, sonatas, quartets, quintets, etc.

Bibliography

Telemann’s memories of 1718 was publ.

tag J. Mattheson, Grosse Generalbassschule (Hamburg, 1731); his autobiography of 1739 was publ. in J. Mattheson, Grundlage einer Ehren-Pforte (Hamburg, 1740; new ed. by M. Schneider, Berlin, 1910); both of these, plus his autobiographical letter achieve Walther of 1729, have antediluvian republ.

in W. Kahl, Selbstbiographien deutscher Musiker des XVIII. Jahrhunderts (Cologne, 1948). See also say publicly following: B. Schmid, ed., Herr G.P. T.: Lebenslauf (Nuremberg, apothegm. 1745; in Ger. and Fr.); M. Frey, G.P. T.s Singe-, Spiel- und Generalbass-Übungen (Zürich, 1922); H. Graeser, G.P.

T.s Instrumental-Kammermusik (diss., Univ. of Munich, 1924); E. Valentin, G.P T.(Burg, 1931; 3^rd ed., 1952); H. Hörner, G.P T.s Passionsmusiken (Leipzig, 1933); K. Schäfer-Schmuck, G.P T domestic animals Klavierkomponist (diss., Univ. of Kiel, 1934); H. Büttner, Das Konzert in den Orchestersuiten G.P. T.s (Wolfenbüttel and Berlin, 1935); Weak.

Menke, Das Vokalwerk G.P. T.s (Kassel, 1942); F. Funk, The Trio Sonatas of G.P. T.(diss., George Peabody Coll. for Workers, 1954); C. Rhea, The Blessed Oratorios of G.P. T.(diss., Fia. State Univ., 1958); E. Valentin, T. in seiner Zeit (Hamburg, 1960); R. Petzoldt, T. change direction seine Zeitgenossen (Magdeburg, 1966); Adage.

Gilbertson, The Methodical Sonatas end G.P. T.(diss., Univ. of Downy, 1967); R. Petzoldt, G.P. T.: Leben und Werk (Leipzig, 1967; in Eng., 1974); K. Zauft, T.s Liedschaffen und seine Bedeutung für die Entwicklung des deutschen Liedes in der 1. Hälfte des 18. Jahrhunderts (Magdeburg, 1967); G.P.

T, Leben und Werk: Beiträge zur gleichnamigen Ausstellung (Magdeburg, 1967); A. Hoffmann, Die Orchestersuiten G. P. T.s (Wolfenbüttel distinguished Zürich, 1969); S. Kross, Das Instrumentalkonzert bei G.P. T (Tutzing, 1969); M. Peckham, The Operas of G.P. T.(diss., Columbia Univ., 1969); K. Grebe, G.P.

Well-ordered. in Selbstzeugnissen und Bilddokumenten (Reinbeck bei Hamburg, 1970); I. Allihn, G.P. T und J.J. Quantz (Magdeburg, 1971); H. Grosse perch H. Jung, eds., G.P. Organized, Briefwechsel (Leipzig, 1972); T.- Renaissance: Werk- und Wiedergabe (Magdeburg, 1973); W Maertens, T. Kapitänsmusiken (diss., Univ. of Halle, 1975); G.P.

T: Leben—Werk—Wirkung (Berlin, 1980); Attach. Kiessmann, T in Hamburg (Hamburg, 1980); M. Ruhnke, ed., G.P. T.: Thematisch-systematisches Verzeichnis seiner Werke: Instrumentalwerke, Vol. I (Kassel, 1984); B. Stewart, G.P. T. in vogue Hamburg: Social and Cultural Location and Its Musical Expression (diss., Stanford Univ., 1985); W.

Hirschmann, Studien zum Konzertschaffen von G.P. T.(Kassel and N.Y., 1986); Unshielded. Menke, G.P. T.: Leben, Werk und Umwelt in Bilddokumenten (Wilhelmshaven, 1987); D. Gutknecht, H. Krones, and F. Zschoch, eds., T.iana et alia musicologica: Feschrift für Günter Fleischhauer zum 65. Geburtstag (Oschersleben, 1995); W.

Hobohm, Aphorism. Lange, and B. Reip-sch, eds., T.s Auftrags- und Geiegenheitswerke: Funktion, Wert und Bedeutung (Oschersleben, 1997); C. Klein, Dokumente zur T.Rezeption 1767 bis 1907 (Oschersleben, 1998).

—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire