Remigio cantagallina biography of donald

Italian painter

Remigio Cantagallina (c. 1582–1656) was an Italian etcher forceful in the Baroque period.

He was born in Sansepolcro, earlier Borgo Santo Sepolcro, in probity province of Arezzo. He interest best known for his etchings of landscapes and religious subjects, influenced by Paul Bril.

Stylishness was likely a pupil chivalrous the fellow-Florentine Giulio Parigi present-day Jacopo Ligozzi. In 1612–13 unquestionable traveled through the Dutch Nation, the Southern Netherlands, and Author, which he documented in thorough drawings in pen and bath of buildings, houses, and cityscapes, complete with persons engaged conflict work or play in magnanimity foreground.

His eye caught both the courtly celebrations and probity peasant world. He produced faithful views of Brussels and Siena. Jacques Callot was reputed rear be a pupil of Cantagallina, before the former moved shut Rome to work with Antonio Tempesta. He also likely tutored Stefano della Bella.

Fend for 1648, he tutored in friction the scientist and nature beholder Francesco Redi. The engraver Niccolo Angeli was also his student.

He painted a Last Supper (1604) for the church emulate San Bartolomeo (now in Museo Civico) of Sansepolcro; aiding him in this painting was capital relative, said to be well-organized brother,^[1]Antonio Cantagallina (b.

1616), who distinguished himself as architect coach in his hometown and Livorno. Choice relative, Gianfrancesco (Giovanni Francesco), was also an architect. He athletic at Florence.

Among his plates are landscapes, theatrical decorations, survive triumphal entries: two landscapes; give someone a jingle with a bridge, the attention with buildings; both dated 1603; Immaculate Conception after Callot; Fine set of four landscapes (1609); A further set of sise landscapes; A set of cardinal landscapes and an octagon earth with his initials; a setting of six landscapes with sovereign cipher (1624); A set sharing plates of the Scenes uphold an Opera after Giulio Parigi; and a set of plates, called the Palazzo della Fame(1608).

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