L aurora di guido reni biography

the Collection · the Frescoes

"L'Aurora" by Guido Reni

n the ceiling of honourableness big central hall you receptacle admire the "L'Aurora" fresco, whitewashed by Guido Reni between and , to decorate illustriousness ceiling of the Casino appreciate the same name, which has become one of the uppermost famous and frequently copied factory in the history of spotlight and has never ceased apply to be famous during about fivesome hundred years.

Guido Reni finished the fresco, inserting it enfold the centre of the roof in a big stucco shell made by Ambrogio Buonvicino, musing it as a "displaced picture", in other words without task force into account the fact prowl it would be viewed make the first move below; for this reason sharptasting did not use any viewpoint with the result that prickly can see it better on the assumption that you use a mirror.

Reni imagined the Sun rising evacuate the sea, preceded by Break of day flying through the air rout flowers; the putto beside quota is Phosphor, the morning shooting star.

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The chariot of Phoebus appears next, drawn by four rash horses with coats of contrary colours to show the unlike degrees of light that travel the appearance of the Sun; in the quadriga, surrounded strong the "Hours", sits Apollo.
In the Casino's big main hall, beneath the ceiling, efficient frieze of frescoes stretches ahead the four walls, picked tidying by architectural motifs that, show the end wall, repeat those of the loggia.

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Here the telescope openings consist of three windows, the middle one is surmounted by a lunette, frescoed fail to notice Cherubino Alberti (), with primacy "Putti" and the heraldic paraphernalia of the Borghese family.

"Summer" stomach-turning Paolo Bril

Also on probity back wall of the primary hall, at the two gauche of the frieze, are "Spring" and "Summer", two frescoes overtake Paolo Bril, belonging to class "Four Seasons" cycle.

On picture opposite wall, you can look out over "Autumn" on the left wallet "Winter" on the right.
Picture four frescoes nicely combine probity characteristics of Paolo Bril's painting: the delicacy of the standard aspect, the alternation of planes function lights and shadows, a accurate and inquisitive observation of position details of everyday life.

The "Triumphs"
by Antonio Tempesta ()

Lasting the months when Guido Reni was painting "l'Aurora", Cardinal Borghese commissioned Antonio Tempesta to discharge the two triumphs that, laugh friezes, adorn the two salt away walls of the Casino's decisive hall.
On the right relative to is the picture of loftiness "Triumph of a Roman public being given a crown vulgar a winged Victory".

On honesty left is the "Triumph ceremony Love", pictured as a Dionysian procession populated with deities, satyrs and exotic beasts.
The couple friezes were imagined by Tempesta as the translation into likeness of an ancient marble tall relief where the artist, grand very skilled painter of animals, could display all his talent.

Two smaller rooms open close by the left and right sides.

These halls also have frescoed ceilings: on the left Giovanni Baglione () painted "Renaldo mount Armida"; on the right, intrude the other hall, Domenico Cresti, known as "il Passignano" () frescoed "The battle of Armida".