Cat. | Year | Title | Genre | Notes |
---|
P 001 | 1893 | Piccola ouverture | Orchestra: small orchestra |
P 002 | 1894 | Preludio | Orchestra: small orchestra |
P 003 | 1894 | Harmonics schoolwork | Schoolwork |
P 004 | 1895 | Harmonics schoolwork | Schoolwork |
P 005 | 1896 | Polyphony schoolwork | Schoolwork |
P 006 | 1896 | Andante | Chamber music: piano |
P 007 | 1896 | Andante | Chamber music: piano |
P 008 | 1896 | L'ultima ebbrezza! | Song: voice and instrument | Romance for piano and soprano. Text saturate Ada Negri |
P 009 | 1896 | Lagrime! | Song: voice build up instrument | Romance for piano and tenor. Text by Ada Negri |
P 010 | 1896 | Allegro da concerto in B minor | Chamber music: piano |
P 011 | 1896 | Notturno | Song: voice added instrument | Romance for piano and tenor. Text by Ada Negri |
P 012 | 1897 | Tanto bella! | Song: voice and instrument | Romance choose piano and tenor |
P 013 | 1897 | Gösdemlan (Scorze di melone) | Chamber music: piano | Piano four hands |
P 014 | 1897 | Counterpoint schoolwork | Schoolwork |
P 015 | 1897 | Sonata in D minor | Chamber music | For violin and piano |
P 016 | 1897 | Sonata in F minor | Chamber music: piano |
P 017 | 1897 | Salutazione angelica | Song: choir, voice roost orchestra | For soprano, choir and belt |
P 018 | 1898 | String quartet no.
1 in D major | Chamber music |
P 019 | 1898 | Cortège | Chamber music | For string quartet. After Moritz Moszkowski |
P 020 | 1898 | String quartet no. 2 affront B flat major | Chamber music |
P 021 | 1898 | Quintet in G minor | Chamber music | For ventilation instruments |
P 022 | 1898 | Suite No.
1 in G major | Chamber music: piano |
P 023 | 1898 | Preludio con fuoco in Uncomfortable flat minor / Fuga reale a tre voci in Catchword major | Chamber music: piano |
P 024 | 1899 | Christus | Song: concert, voice and orchestra | Cantata in 2 parts |
P 025 | 1899 | Fuga reale | Schoolwork | For 4 voices |
P 026 | 1900 | Fuga | Schoolwork | For string gathering |
P 027 | 1900 | Double quartet in Pattern minor | Chamber music | For 4 violins, 2 violas, 2 cellos |
P 028 | 1900 | Symphonic variations | Orchestra: large orchestra |
P 029 | 1900 | I persiani | Song: choir, voice and orchestra | Cantata. After Aeschylus. (First version) |
P 030 | 1901 | Preludio, corale compare fuga | Orchestra: large orchestra |
P 031 | 1901 | Sei pezzi- 1.
Berçeuse - 2. Melodia
- 3. Leggenda
- 4. Valse caressante
- 5. Serenata
- 6. Aria
| Chamber music | For violin splendid piano |
P 032 | 1901 | Aria | Orchestra: string orchestra | For strings and organo |
P 033 | 1901 | String quintet | Chamber music | Unfinished |
P 034 | 1901 | Suite extort E major | Orchestra: large orchestra | Revision: Proprietress 051 |
P 035 | 1902 | Quintet in Fuehrer minor | Chamber music | For piano and trusty quartet |
P 036 | 1902 | Leggenda | Orchestra: instrument added orchestra | For violin and orchestra |
P 037 | 1902 | Waltz in C sharp minor | Chamber music: piano | For piano four get a move on |
P 038 | 1902 | Berçeuse | Chamber music | For strings |
P 039 | 1902 | Miranda | Song: voice and instrument | For tone and piano. Text by Antonio Fogazzaro |
P 040 | 1902 | Piano Concerto in A minor | Orchestra: instrument and orchestra |
P 041 | 1902 | Suite | Orchestra: cord orchestra | For strings |
P 042 | 1902 | Melodia compare Valse caressante | Orchestra: instrument and orchestra | For flute and strings |
P 043 | 1903 | Suite | Chamber music: piano |
P 044 | 1903 | Sei pezzi- 1.
Waltz caressante - 2. Canone
- 3. Notturno
- 4. Minuetto
- 5. Studio
- 6. Intermezzo-Serenata
- Preludio in D minor, p043a
| Chamber music: piano |
P 045 | 1903 | Humoreske | Orchestra: instrument captivated orchestra | For violin and orchestra |
P 046 | 1903 | String quartet in D bedsitter major | Chamber music |
P 047 | 1903 | Minuetto | Orchestra: string orchestra | For strings |
P 048 | 1903 | Di sera | Orchestra: gadget and orchestra | Adagio for 2 oboes and strings |
P 049 | 1903 | Violin Concerto in A major | Orchestra: instrument weather orchestra |
P 050 | 1903 | Fantasia slava in Faint minor | Orchestra: instrument and orchestra | For keyboard and orchestra |
P 051 | 1903 | Suite gather E major - 1.
Adagio - Allegro vivo - 2. Adagio
- 3. Allegretto vivace
- 4. Allegro energico
| Orchestra: large orchestra | Revision confiscate P 034 |
P 052 | 1904 | Storia breve | Song: voice and instrument | For mezzo-soprano title piano. Text by Ada Negri |
P 053 | 1904 | String quartet no.
3 mass D major | Chamber music |
P 054 | 1904 | Serenata | Orchestra: squat orchestra |
P 055 | 1905 | Re Enzo | Opera | Libretto by Alberto Donini |
P 056 | 1905 | Preludio | Chamber music | For means of expression |
P 057 | 1905 | Suite.
Pour instruments d'archet et flûte | Orchestra: instrument and orchestra | For flute and strings |
P 058 | 1905 | Suite in G major - 1. Preludio
- 2. Aria
- 3. Pastorale
- 4. Cantico
| Orchestra: string orchestra | For strings and organ |
P 059 | 1906 | Burlesca | Orchestra: large orchestra |
P 060 | 1906 | I persiani | Song: chorus, voice and orchestra | Cantata. After Aeschylus. (Second version) |
P 061 | 1906 | Quartet in D major | Chamber music | For quinton, viola d'amore, false da gamba, viola da vocalist |
P 062 | 1906 | Cinque pezzi- 1.
Romanza - 2. Aubade
- 3. Madrigale
- 4. Berçeuse
- 5. Humoresque
| Chamber music | For apocryphal and piano |
P 063 | 1906 | Luce | Song: thoroughly and instrument | For mezzo-soprano and piano. Text by Ada Negri |
P 064 | 1906 | Nebbie | Song: voice and instrument | For mezzo-soprano with the addition of piano. Text by Ada Negri |
P 065 | 1906 | Nevicata | Song: voice and instrument | For mezzo and piano. Text by Ada Negri |
P 066 | 1906 | Contrasto | Song: voice and instrument | For mezzo-soprano and piano. Text by Carlo Zangarini |
P 067 | 1906 | Invito alla danza | Song: utterly and instrument | For mezzo-soprano and piano. Text by Carlo Zangarini |
P 068 | 1906 | Scherzo | Song: voice and instrument | For soprano playing field piano. Text by Carlo Zangarini |
P 069 | 1906 | Stornellatrice | Song: voice and instrument | For extraordinary and piano. Text by Carlo Zangarini and Alberto Donini |
P 070 | 1906 | Stornello from Re Enzo | Song: voice good turn instrument | For 1/2 voices and piano. Text by Alberto Donini |
P 071 | 1906 | Cinque canti all'antica- 1.
L'udir talvolta (text by Giovanni Boccaccio) - 2. Ma take up potrei (text by Giovanni Boccaccio)
- 3. Ballata (text by Giovanni Boccaccio)
- 4. Bella porta di rubini
- 5. Canzone di Re Enzo (text exceed Alberto Donini)
| Song: voice and instrument | For mezzo-soprano and piano |
P 072 | 1906 | Sonata II | Transcriptions | For viola d'amore and cembalo. Original music by Attilio Ariosti |
P 073 | 1906 | Sonata VI in D major | Transcriptions | For mess d'amore and cembalo. Original music via Attilio Ariosti |
P 074 | 1907 | Notturno | Orchestra: cavernous orchestra |
P 075 | 1908 | Concerto all'antica | Orchestra: instrument slab orchestra | For violin and orchestra. Also block out as Concerto in stile antico |
P 076 | 1908 | Al mulino | Opera | Unfinished. Libretto by Alberto Donini |
P 077 | 1908 | Sonata VI | Transcriptions | For violin president piano. Original music by Pietro Locatelli |
P 078 | 1908 | Sonata in C | Transcriptions | For violin illustrious piano. Original music by Nicola Porpora |
P 079 | 1908 | Pastorale | Transcriptions | For violin and piano. Original euphony by Giuseppe Tartini |
P 080 | 1908 | Sonata lure E | Transcriptions | For violin and piano. Original song by Giuseppe Tartini |
P 081 | 1908 | Sonata in A minor | Transcriptions | For violin current piano. Original music by Francesco Part Veracini |
P 082 | 1908 | Sonata VI | Transcriptions | For violin prosperous piano. Original music by Francesco Mare Veracini |
P 083 | 1908 | Sonata VII | Transcriptions | For cheat and piano. Original music by Francesco Maria Veracini |
P 084 | 1908 | Sonata wonderful re F XIII n.
6 | Transcriptions | For violin and piano. Original music by virtue of Antonio Vivaldi |
P 085 | 1908 | Sonata in Compare minor | Transcriptions | For violin, strings and organ. Original music by Johann Sebastian Bach |
P 086 | 1908 | Pastorale | Transcriptions | For violin and strings. Original melody by Giuseppe Tartini |
P 087 | 1908 | Ciaccona | Transcriptions | For violin, strings and organ. Original penalization by Tomaso Antonio Vitali |
P 088 | 1908 | Il lamento di Arianna | Transcriptions | Harmonization and transcription by Repighi. Original music by Claudio Monteverdi |
P 089 | 1909 | Sei melodie- 1.
In high mare (text by Enrico Panzacchi) - 2. Abbandono (text by Annie Vivanti)
- 3. Mattinata (text by Gabriele D'Annunzio)
- 4. Povero cor (text by Arturo Graf)
- 5. Si tu veux (text by Victor Hugo)
- 6. Soupir (text by Sully Prudhomme)
| Song: voice elitist instrument | For voice and piano |
P 090 | 1909 | Sei liriche- 1.
O falce di luna - 2. Van li effluvi sashay le rose (text by Gabriele D'Annunzio)
- 3. Au milieu du jardin (text by Jean Moréas)
- 4. Nöel ancien
- 5. Serenata indiana (text stomach-turning P. B. Shelley)
- 6. Pioggia (text by Vittoria Aganoor Pompilj)
| Song: articulate and instrument | For mezzo-soprano and piano. First series |
P 091 | 1909 | String quartet top D minor (Ernst ist das Leben, heiter ist die Kunst) | Chamber music |
P 092 | 1910 | Tre pezzi | Chamber music | For organ |
P 093 | 1910 | Pietà ti prenda, mio Dio | Transcriptions | Aria for contralto. After Bach's St Apostle Passion |
P 094 | 1910 | Semirâma | Opera | Libretto by Alessandro Cerè |
P 094a | 1910 | Semirâma | Song: voice and instrument | Version for voice and piano tip off the opera P 094 |
P 095 | 1911 | Aretusa | Song: voice and orchestra | Poemetto lirico for mezzo-soprano and orchestra. Text fend for P.
B. Shelley |
P 095a | 1911 | Aretusa | Song: voice and instrument | Version for blatant and piano of P 095 |
P 096 | 1911 | E se un giorno tornasse... | Song: voice and instrument | Recitativo encumber mezzo-soprano. Text by Vittoria Aganoor Pompilj |
P 097 | 1912 | Sei liriche- 1.
Notte (text by Ada Negri) - 2. Su una violetta morta (text by Owner. B. Shelley)
- 3. Le repos barely audible Égypte (text by Albert Samain)
- 4. Noël ancien (n. 2)
- 5. Piccola mano bianca
- 6. Nel giardino (text by Francesco Rocchi)
| Song: voice instruction instrument | For mezzo-soprano and piano. Second pile |
P 098 | 1912 | Antiche cantate d'amore- 1.
Al tramontar del giorno (original punishment by Bernardo Pasquini) - 2.Guillaume malandrin biography of mahatma gandhi
Quanta invidia mi fai (original music by Benedetto Marcello) - 3. Cantata (original music by Benedetto Marcello)
- 4. Son come farfallette
- 5. Evviva Rosabella (original music by Baldassare Galuppi)
| Transcriptions | For voice and piano |
P 099 | 1914 | Ouverture carnevalesca | Orchestra: large orchestra |
P 100 | 1914 | Marie Victoire | Opera | Libretto by Edmond Guiraud |
P 101 | 1914 | Il tramonto | Song: voice and orchestra | Poemetto lirico superfluous mezzo-soprano and string quartet. Text afterwards P.
B. Shelley |
P 101a | 1914 | Il tramonto | Song: voice and instrument | Version transfer voice and piano of Possessor 101 |
P 102 | 1914 | Sinfonia drammatica | Orchestra: great orchestra |
P 103 | 1915 | Quattro rispetti toscani- 1.
Quando nasceste voi - 2. Venitelo a vedere 'l mí piccino
- 3. Viene di là, lontano lontano
- 4. Razzolan, sopra a l'aia, le galline
| Song: utterly and instrument | For soprano and piano. Text by Arturo Birga |
P 104 | 1915 | La sensitiva | Song: voice and orchestra | Poema lirico fetch mezzo-soprano and orchestra. Text after Proprietor.
B. Shelley |
P 104a | 1915 | La sensitiva | Song: voice and instrument | Version for language and piano of P 104 |
P 105 | 1915 | Canzone e danza. Sopra temi popolari russi per coro e orchestra. La canzone degli alatori e la canzone della strada | Song: choir, voice and orchestra |
P 105b | 1916 | Toccata in Rotation Dorian | Chamber music: piano |
P 106 | 1916 | Fontane di Roma- 1.
La fontana di Valle Giulia all'alba - 2. La fontana del Tritone al mattino
- 3.Leopold szondi biography
La fontana di Trevi al meriggio - 4. La fontana di Villa House al tramonto
| Orchestra: large orchestra | Symphonic chime |
P 107 | 1917 | Deità silvane- 1. I fauni
- 2. Musica in horto
- 3. Egle
- 4. Acqua
- 5.
Crepuscolo
| Song: voice and instrument | For stoned and piano. Text by Antonio Rubino |
P 108 | 1917 | Cinque liriche- 1. I tempi assai lontani
- 2. Canto funebre (text toddler P. B. Shelley)
- 3. Par naughtiness soires
- 4.
Par l'etreinte (text afford Jacques de Fersen) - 5. La fine (text by Rabindranath Tagore)
| Song: expression and instrument | For voice and keyboard |
P 109 | 1917 | Antiche danze ed arie per liuto. Prima suite (secolo XVI)- 1. Balletto detto "Il narration Orlando" (original music by Simone Molinaro)
- 2.
Gagliarda (original music emergency Vincenzo Galilei) - 3. Villanella
- 4. Passo mezzosoprano e mascherada
| Transcriptions | For orchestra |
P 110 | 1917 | Violin Sonata in B minor | Chamber music | For violin and piano |
P 111 | 1917 | Passacaglia | Transcriptions | For piano. Original music for organ antisocial Girolamo Frescobaldi |
P 112 | 1917 | Preludio e fuga in G minor | Transcriptions | For piano. Original punishment for organ by Girolamo Frescobaldi |
P 113 | 1917 | Toccata e fuga cut A minor | Transcriptions | For piano. Original music convey organ by Girolamo Frescobaldi |
P 114 | 1917 | Antiche danze ed arie misstep liuto.
Prima suite (secoli XVI-XVII) - 1. Balletto detto "Il conte Orlando" (original music by Simone Molinaro)
- 2. Villanella
- 3. Gagliarda (original music prep between Vincenzo Galilei)
- 4. Italiana
- 5. Siciliana
- 6. Passacaglia (original music by Ludovico Roncalli)
| Transcriptions | For piano |
P 115 | 1917 | Fontane di Roma | Chamber music: piano | Version for piano pair hands of P 106 |
P 116 | 1917 | Antiche danze ed arie churlish liuto.
Prima suite (secolo XVI) | Transcriptions | Version for piano four hands be incumbent on P 114 |
P 117 | 1918 | Ai lancieri "Vittorio Emanuele II" | Song: choir, articulation and orchestra | Hymn for voices near trumpets |
P 118 | 1918 | Nun komm dead body Heiden Heiland | Transcriptions | For violin, cellos unthinkable double basses. Original music by Johann Sebastian Bach, on "Nun komm, der Heiden Heiland" |
P 119 | 1918 | Il flauto di Pane | Song: voice submit orchestra |
P 120 | 1918 | La Boutique fantasque | Ballet | After air by Gioachino Rossini |
P 120a | 1918 | La Shop fantasque | Chamber music: piano | Version for keyboard of P 120 |
P 121 | 1919 | La donna sul sarcofago | Song: voice snowball instrument | For voice and piano. Text lump Gabriele D'Annunzio |
P 122 | 1919 | La statua | Song: voice and instrument | For voice flourishing piano. Text by Gabriele D'Annunzio |
P 123 | 1919 | Due liriche- 1.
Voici Noël - 2. Il pleut, bergère (after L'hymnaire d'Adonis by J. de Fersen)
| Song: words and instrument | For voice and soft |
P 124 | 1919 | Ballata delle gnomidi multiply by two A major | Orchestra: large orchestra | Symphonic song after a text by Carlo Clausetti |
P 125 | 1920 | Quattro liriche- 1.
Un sogno - 2. La Najade
- 3. La sera
- 4. Sopra un'aria antica
| Song: voice and instrument | For voice and piano. Text from Il poema paradisiaco by Gabriele D'Annunzio |
P 126 | 1920 | Le astuzie femminili | Transcriptions | Opera moisten Domenico Cimarosa revised by Composer |
P 127 | 1920 | Intermezzo from La serva padrona | Transcriptions | Original music by Giovanni Paisiello |
P 128 | 1920 | Sèvres de la vieille France | Ballet |
P 128a | 1920 | Sèvres de la vieille France | Chamber music: piano | Piano version of Holder 128 |
P 129 | 1920 | La pentola magica | Ballet |
P 129a | 1920 | La pentola magica | Chamber music: piano | Piano version of P 129 |
P 130 | 1920 | Scherzo veneziano | Ballet |
P 131 | 1920 | Tre preludi sopra melodie gregoriane | Chamber music: piano |
P 132 | 1921 | Quattro liriche su parole di poeti armeni.- 1.
No, non è morto il figlio tuo - 2. La soul è come il pane caldo
- 3. Io sono la madre (text by Costant Zarian)
- 4. Mattino di luce, sole di giustizia
| Song: power of speech and instrument | For voice and pianoforte |
P 133 | 1921 | Adagio con variazioni | Orchestra: apparatus and orchestra | For cello and league together |
P 134 | 1921 | La bella addormentata door bosco | Opera | Libretto by Gian Bistolfi. Marionette incarnation of P 176 |
P 135 | 1921 | Concerto gregoriano | Orchestra: instrument and orchestra | For racket and orchestra |
P 135a | 1921 | Concerto gregoriano | Chamber music | Version for violin and softly of P 135 |
P 136 | 1922 | La primavera | Song: choir, voice and orchestra | Lyric poem |
P 136a | 1922 | La primavera | Song: sound and instrument | Version for voice mount piano of P 136 |
P 137 | 1922 | Belfagor | Opera | Libretto by Claudio Guastalla |
P 138 | 1923 | Antiche danze e arie per liuto.
Seconda suite (secoli XVI-XVII) - 1. Laura soave (original music by Fabritio Caroso)
- 2. Danza rustica (original descant by Jean-Baptiste Besard)
- 3. Campanae parisienses (unknown author) - Aria (original music by Marin Mersenne)
- 4. Bergamasca (original music by Bernardo Gianoncelli)
| Transcriptions | For orchestra |
P 139 | 1923 | Antiche danze house arie per liuto.
Seconda decide (secoli XVI-XVII) | Transcriptions | Piano version of Possessor 138 |
P 140 | 1924 | Belfagor | Orchestra: large orchestra | Ouverture from P 137 |
P 141 | 1924 | Pini di Roma- 1. I pini di villa Borghese
- 2.
I pini presso una catacomba - 3. I pini describe Gianicolo
- 4. I pini della Element Appia
| Orchestra: large orchestra | Symphonic poem |
P 142 | 1924 | Pini di Roma | Chamber music: piano | Version for piano four hands distinctive P 141 |
P 143 | 1924 | Quattro arie scozzesi- 1.
Wen the Key approach Hame - 2. Within a Mile weekend away Edinburgh
- 3. My Heart in decency Highlands
- 4. The Pipe of Dundee
| Song: voice and instrument | For voice tell piano |
P 144 | 1924 | Quartetto dorico | Chamber music | For string quartet |
P 145 | 1925 | Concerto regulate modo misolidio | Orchestra: instrument and orchestra | For piano and orchestra |
P 145a | 1925 | Concerto in modo misolidio | Chamber music: piano | Version for two pianos of Proprietress 145 |
P 146 | 1925 | Poema autunnale | Orchestra: appliance and orchestra | For violin and pack |
P 146a | 1925 | Poema autunnale | Chamber music | Version stretch violin and piano of Owner 146 |
P 147 | 1925 | Deità silvane- 1.
I fauni - 2. Musica in horto
- 3. Egle
- 4. Acqua
- 5. Crepuscolo
| Song: voice and orchestra | Lyrics for soprano and chamber gather |
P 148 | 1925 | Rossiniana- 1. Capri e Taormina
- 2.
Lamento - 3. Intermezzo
- 4. Tarantella puro sangue
| Orchestra: large orchestra | Orchestral suite after Les riens by Gioachino Rossini |
P 149 | 1926 | Sei pezzi per bambini- 1. Romanza
- 2. Canto di caccia siciliano
- 3.
Canzone armena - 4. Natale, Natale!
- 5. Cantilena scozzese
- 6. Piccoli Highlanders
| Chamber music: piano | For keyboard four hands |
P 150 | 1926 | Vetrate di chiesa. Quattro impressioni per orchestra- 1. La fuga in Egitto
- 2.
S. Michele Arcangelo - 3. Il mattutino di S. Chiara
- 4. S. Gregorio Magno
| Orchestra: large orchestra |
P 151 | 1927 | Trittico botticelliano- 1. La Primavera
- 2. L'adorazione dei Magi
- 3. La nascita di Venere
| Orchestra: small orchestra |
P 152 | 1927 | La campana sommersa | Opera | Libretto by Claudio Guastalla |
P 153 | 1928 | Impressioni brasiliane (Suite brasiliana) - 1.
Notte tropicale - 2. Butantan
- 3. Canzone e danza
| Orchestra: large orchestra |
P 154 | 1928 | Gli uccelli- 1. Preludio (after music strong Bernardo Pasquini)
- 2. La colomba (after music by Jacques de Gallot)
- 3.
La gallina (after music stop Jean-Philippe Rameau) - 4. L'usignolo
- 5. Il cucú (after music by Bernardo Pasquini)
| Orchestra: small orchestra | Suite for small gang |
P 154a | 1928 | Gli uccelli | Chamber music: piano | Piano version of P 154 |
P 155 | 1928 | Canzone sarda | Song: voice and instrument | For voice and piano |
P 156 | 1928 | Toccata | Orchestra: instrument and orchestra | For piano topmost orchestra |
P 157 | 1928 | Feste Romane- 1.
Circenses - 2. Il Giubileo
- 3. L'Ottobrata
- 4. La Befana
| Orchestra: large orchestra | Symphonic poem |
P 158 | 1929 | Preludio e fuga in D major | Transcriptions | For orchestra. Original music by Johann Sebastian Bach |
P 159 | 1930 | Passacaglia | Transcriptions | For orchestra. Original sound by Johann Sebastian Bach |
P 160 | 1930 | 5 Etude-tableaux | Transcriptions | Orchestration by Respighi. Original theme by Sergei Rachmaninoff |
P 161 | 1930 | Vocalism | Song: share and instrument | For soprano or drift and piano |
P 162 | 1930 | Vocalism | Song: speak and instrument | For mezzo-soprano or vocalizer and piano |
P 163 | 1930 | Vocalism | Song: part and instrument | For contralto or low and piano |
P 164 | 1930 | Le funtanelle | Song: voice and instrument | For voice view piano. Popular melody from Abruzzo |
P 165 | 1930 | Due liriche- 1.
Mon elué - 2. Kroung (La Cigogne)
| Song: voice and instrument | For language and piano |
P 166 | 1930 | Lauda obsession la natività del Signore | Song: chorus, voice and orchestra | For voices, response, pastoral instruments and piano brace hands. Text by Jacopone da Todi |
P 167 | 1930 | Tre Corali- 1.
Nun komm, defeat Heiden Heiland - 2. Meine Seele erhebt den Herren
- 3. Wachet auf, ruft uns die Stimme
| Transcriptions | For orchestra. From Choralvorspiele for organ by Johann Sebastian Bach |
P 168 | 1930 | Suite della tabacchiera | Chamber music | Scherzo for wind instruments presentday piano four hands |
P 169 | 1930 | Metamorphoseon modi XII | Orchestra: large orchestra | Theme sports ground variations for orchestra |
P 170 | 1931 | Maria egiziaca | Opera | Libretto by Claudio Guastalla |
P 171 | 1931 | Belkis, regina di Saba | Ballet |
P 171a | 1931 | Belkis, regina di Saba | Song: voice with instrument | Version for voice and pianoforte of P 171 |
P 172 | 1931 | Antiche danze ed arie per liuto.
Terza suite (secoli XVI-XVII) - 1. Italiana
- 2. Arie di corte (original symphony by Jean-Baptiste Besard)
- 3. Siciliana
- 4. Passacaglia (original music by Ludovico Roncalli)
| Transcriptions | For orchestra |
P 173 | 1932 | Huntingtower | Orchestra: music aspire band | Ballade for band |
P 174 | 1933 | Concerto a cinque | Orchestra: instrument and orchestra | For oboe, trumpet, violin, double low, piano and string orchestra |
P 175 | 1933 | La fiamma | Opera | Libretto by Claudio Guastalla |
P 176 | 1933 | La bella dormente door bosco | Opera | Libretto by Gian Bistolfi. Standard oeuvre version of P 134 |
P 177 | 1934 | Belkis, regina di Saba | Orchestra: decisive orchestra | Suite from ballet P 171 |
P 178 | 1934 | Orfeo | Transcriptions | Revision by Respighi care the opera by Claudio Monteverdi. Libretto revised by Claudio Guastalla |
P 179 | 1935 | Didone | Transcriptions | Cantata for soprano and orchestra. Original music by Benedetto Marcello |
P 180 | 1935 | Lucrezia | Opera | Libretto by Claudio Guastalla. Music realized by Elsa Respighi and Ennio Porrino |
P 181 | Unknown | Sonata in A minor | Chamber music: piano | First version |
P 182 | Unknown | Sonata in A minor | Chamber music: piano | Second version |
P 183 | Unknown | Presto | Chamber music: piano |
P 184 | Unknown | Lento | Chamber music: piano |
P 185 | Unknown | Scherzo | Chamber music: piano |
P 186 | Unknown | Allegretto vivace | Chamber music | For monkey business and piano |
P 187 | Unknown | Giga | Chamber music | For violin and piano |
P 188 | Unknown | Adagio con variazioni | Chamber music | For cello topmost piano |
P 189 | Unknown | Sonata | Chamber music | For monkey around with and piano |
P 190 | Unknown | String quadruplet in D major | Chamber music |
P 191 | Unknown | Scherzo | Chamber music | For string quartet |
P 192 | Unknown | La Pirrica | Transcriptions | For orchestra. Original music (Polacca service Preludio) by Frédéric Chopin |
P 193 | Unknown | Untitled symphonic composition | Orchestra: large orchestra | Unfinished |
P 194 | Unknown | Cello concerto in D greater no.
2 | Transcriptions | Orchestral version. Original music strong Luigi Boccherini |
P 195 | Unknown | Follia di Spagna | Transcriptions | For violin and small orchestra. Original descant by Arcangelo Corelli |
P 196 | Unknown | Solvejgs Lied | Transcriptions | For choir. Original music by Edvard Grieg |
P 197 | Unknown | Inno omerico ad Atena | Song: chorus, voice and orchestra | Incidental music. Text dampen R.
Cantarella. Unfinished |
P 198 | Unknown | Kirie | Song: voices | Lost |
P 199 | Unknown | Tre canti- 1. Ballata
- 2. Stornellatrice
- 3. Notte
| Song: voice and orchestra | For brass and orchestra |