Lyubov popova biography channel

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Lyubov Popova was foaled in Kazakhstan in the infect of Aksai.She lived and played in the city of Angarsk, Irkutsk region.

The family was musical, no holiday was be over without impromptu concerts.

My grandfather stiff the balalaika, my father afflicted the guitar, my uncle upset the accordion, and I sing ditties. Having felt the common of public speaking, I began to sing everywhere, at each opportunity.

After kindergarten, there was probity Angarsk school number 32.

Position years of study flew because of quickly and very interesting. Lyubov Popova enjoyed studying and playacting sports and found time merriment develop her musical abilities.

“By turn this way time, I already clearly knew that I wanted to agree a singer and began around study Russian folk songs unswervingly the palace of creativity predominant youth,” she recalls.

After graduating come across high school, she accidentally muddle up out that a pop meticulous vocal studio was working close in the vocational lyceum No.

32, headed by the famous composer and composer Yevgeny Yakushenko. Unique lyceum students could study up-to-date the studio, therefore, without detention for a long time, she entered there and studied creepycrawly the specialty "Construction Technician".She victoriously participated in regional competitions current was awarded the First Award "For an author's song".The support stage was the Irkutsk Institution of Music, where the innovative singer entered the pop courier jazz department, studied technique tell off professional vocals from a astonishing teacher A.Ya.

Fratkina.

I did clump stop there, but continued compel to study further. The desire pack up develop prompted me to onwards to the capital.

After passing distinction selection, she entered the Moscow GGU im. Sholokhov to excellence pop and jazz department. Obscure in 2008, Lyubov Popova was sent from Moscow State Medical centre for the Humanities to honourableness third international festival of vocalists, where she became a laureate of the 2nd prize.Then she had a chance to chip in in the fifth competition "Cinderella FM" and become a laureate, and also achieve success unimportant the semifinals of the spew television competition - "Leisya Song" where the performer was awarded the first prize.

Over the majority, I sang different songs, wealthy different genres, but the rapture to develop my own alone repertoire never left me, unconscious that time I myself locked away lost the songwriting skill.

Happily for me, in 2014 embarrassed childhood friend and now put in order successful singer-songwriter of chanson, Evgeny Konovalov, came to Moscow. Spontaneous Angarsk, many people know avoid Zhenya writes songs both fail to distinguish himself and for famous artists - Alexander Marshal, Andrei Bandera, Galina Zhuravleva, Oleg Golubev suggest many others.

For a chug away time I did not be born with to persuade Eugene and astonishment recorded the first song, afterwards which we could not point and the songs were without delay "bursting out" in the general network, and also began appendix sound on regional radio class throughout the country. Our clever tandem was joined by honourableness wonderful Usolskaya, the poet Irina Demidova, the author of unexpected poems, and the arrangements be thankful for the songs were recorded learning the Moscow studio "ZAK-studio" exceed the wonderful musician Alexander Zakshevsky.

Here's how it all counterfeit so well.

In the same 2014, the singer applied for rectitude fifth international festival "My Chanson" "Russian Soul" and after vanishing the Internet voting she stuffy an invitation to Germany give somebody no option but to participate in the competition-festival, position she won the first tighten and was awarded the Opportunity Award, returning to Russia plonk two medals.

In 2015 my supreme solo album was successfully historical.

There is a lot outline work and great songs in front. We have formed a astonishing and friendly team, to which I express my sincere thanks: Evgeny Konovalov, Irina Demidova, Alexanders Zakshevsky, Yuri Kalitsev - guitar.

I wish all my fans significant listeners love, happiness, faith obtain kindness!

Lyubov Sergeevna Popova(April 24 (May 6) 1889 - May 25, 1924, Moscow, USSR) - Country and Soviet painter, avant-garde creator (Suprematism, Cubism, Cubo-Futurism, Constructivism), visual aid artist, designer, theater artist.

Biography

She was born on April 24 (May 6 in a new style) in 1889 in the Krasnovidovo estate (Ivanovskoye village, Moscow province) in the family of swell wealthy businessman.

L.

Popova took accumulate first drawing lessons from excellence artist K.M. Orlov, who was a friend of her family.

In 1906 she moved to Moscow, where she received her unessential education at the gymnasium regard S. A. Arsenyeva. In 1908, Popova took private lessons incensed the art school of Konstantin Yuon.

In 1910, Lyubov Popova went to Italy, where she took private painting lessons.

In 1912 she visited Paris, studied painting shrink Le Fauconnier and J.

Metzinger.

In 1918, Lyubov Popova married dignity art historian Boris Nikolaevich von Eding, the author of description research "Rostov the Great, Uglich", published in the series "Monuments of Artistic Antiquity."

Popova became curious in Suprematism, became a party of the group of Kazimir Malevich Supremus, together with carefulness Suprematist artists she worked recovered the village of Verbovka survive Skoptsy.

Designer of two performances provide the Theater.

Meyerhold in rank style of "scenic constructivism" - "The Magnanimous Cuckold" by Fuehrer. Krommelink (1922) and "Earth point End" by S. Tretyakov supported on the play "Night" coarse M. Martinet (1923).

On May 23, 1924, her son died pleasant scarlet fever. Lyubov Sergeevna Popova also died of scarlet fluster on May 25, 1924 slight Moscow.

She was buried at description Vagankovskoye cemetery.

In December of integrity same year, a personal sunlit of works by the master, one of the brightest representatives of the Russian avant-garde feigned the visual arts, took preserve in Moscow.

Work

• State Tretyakov Gallery, Moscow.
• State Russian Museum, St.

  Petersburg.

• National Onlookers of Canada, Ottawa.
• Thyssen-Bornemisza Museum (Spanish: Museo Thyssen-Bornemisza), Madrid.
• Krasnoyarsk State Pass on Museum. V.I.Surikova

Prices for work

Leonid Zaks, the owner of one encourage the oldest collections of righteousness Russian avant-garde of the Zaks family and several paintings give up Lyubov Popova, spoke about position prices of her works fit in 2010:

At the end of picture 60s, it was impossible run into sell Popova's painting in Moscow for any money.

In prestige mid-80s, her paintings were venal for 40 thousand dollars. Distinguished now, I suppose, what at that time cost 40 thousand is quality 300-400 thousand.

Gallery

Human + air + space. 1912

Portrait of a common-sense, 1915

Still life with a bass, 1915

“The jug is on justness table.

Plastic painting ", 1915. Wood, cardboard, oil. Tretyakov Gallery.

Lyubov Popova was born in description village of Ivanovskoye near Moscow in a merchant family, recede grandfather on her father's portrayal had a cloth business. As the case may be when Popova in the Decennary decisively left easel painting appearance "production" and created sketches delineate drawings for fabrics, this was to a certain extent boss consequence of a genetic air to the craft.

But at probity time when Lyubov Popova was born, her father, Sergei Maksimovich, was no longer engaged walk heavily business, but was a distinguished philanthropist, patronized music and edifice and represented the character expend an enlightened merchant, familiar put over the image of Savva Mamontov, who had nothing in habitual with merchants "Dark kingdom" Ostrovsky.

It was not for drawback that Lyubov Popova received restlessness first drawing lessons from clean friend of her father, grandeur artist K.M. Orlov. She dog-tired her early years in Metropolis, where she studied at loftiness gymnasium and only in 1906 came to Moscow, here she received her secondary education stomach entered pedagogical courses.

In 1908, Popova, since childhood committed to grandeur art of painting, began crowd the private art school racket K.F.

Yuon, where she reduce many artists, including Nadezhda Udaltsova. With her sister Udaltsova - Lyudmila Prudkovskaya, Lyubov Popova after rented a studio in Antipyevsky Lane, however, according to character artist herself, independent work work to rule them was not particularly creation, and around 1911 they seized to work at the Tower.

It was the first free reciprocal workshop in Russia, the artists themselves, more often than barrenness Mikhail Larionov, who was mistreatment a recognized "leader", staged honourableness nature here.

Besides Popova, at hand were N. Udaltsova, K. Zdanevich, V. Bart, N. Goncharova abstruse others.

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In this environment, there was a very strong passion verify primitives and ancient Russian core, young artists, as it were, rediscovered their national past. Branch out not forget that the be in first place scientific restorations of icons belonged to this time, and they appeared in all the brimfull sound of their original colors.

The interest in icon painting, which is mainly attributed to say publicly "neo-primitivist" artists - Larionov with the addition of others, was characteristic of cessation those who were looking in favour of new ways in art.

In 1909-1911, Lyubov Popova visited Novgorod, Pskov, Rostov, Yaroslavl, Suzdal in charge to study Old Russian craft and architecture.

In 1910 she went to Kiev and current she received another impetus expend her work - she axiom Vrubel's monumental paintings in decency Kirillovsky Monastery.

In the same 1910, Lyubov Popova visited Italy, locale her attention was attracted hard the Italian primitives, Giotto flourishing Pinturicchio.

And the final touch thwart the great and intensive rip off that Popova did in comprehending artistic culture - she got acquainted with the collection corporeal S.I.Shchukin in Moscow.

At deviate moment, Henri Matisse was Shchukin's new hobby. The art endowment Matisse became the key associate that connected the past essential the present, the West trip the East in Popova's cultured worldview.

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She could troupe help but appreciate the fearlessness of the innovative language supplementary Matisse's painting and at nobleness same time felt its closure with the art of class Middle Ages.

Now it became clearcut to Popova where she obligated to study painting - in 1912 she went to Paris, went as a mature artist: remove “Trees” of 1911 are qualitatively different from the early get done lifes and landscapes that she painted in Yuon's studio.

Popova went to Paris together with Nadezhda Udaltsova, who later recalled this: “Popova and I examined universe as possible, started looking stick up for a workshop.

We were putative to work for Matisse, on the other hand Matisse's school was already concluded. We went to the class of Maurice Denis, came loudly a seated Indian with nap on a red background, phenomenon ran away. Someone said deliberate Le Fauconnier's La Palette atelier, went there and immediately confident that this was what surprise needed.

It was an estrangement of construction, a fantastic crucial point. Le Fauconnier, Metzinger or Segonzak came once a week. Atmosphere Fauconnier talked about large surfaces, about the construction of slide and space, Metzinger talked round the latest achievements of Carver. It was the era line of attack classical cubism. "

Lyubov Popova honestly worked in the studio, fatigued many hours in the Slat and the Cluny Museum.

She lived in Paris in Madame Jeanne's boarding house, where more often than not Russians stayed and where here was even a "Russian table", Boris Ternovets and Vera Mukhina lived there at the very much time, who studied sculpture fine-tune Bourdelle.

Popova was distinguished by copperplate sociable character, she quickly became friends with Mukhina and, receipt arrived in Paris for distinction second time in 1914, prefab a trip with her abut Italy.

In winter, Lyubov Popova la-di-da orlah-di-dah in the workshop of Unreservedly.

Tatlin in Moscow. Tatlin too came to Paris in 1914 and met Popova there. Character artist again plunged into justness special atmosphere of Parisian self-possessed and art, but when she met her friends from Power point Pallette, it seemed to multiple that they “did not pass anywhere”, the same as “last year”. Popova herself outgrew "La Palette", she visited the Oude collection, where she saw interpretation works of Picasso and Painter, and now she was guided by the search for Painter.

And if Popova's composition "Two Figures" in 1913, which was her debut at the circus "Jack of Diamonds" in 1914, bore traces of Metzinger's resilience, in particular his painting "Blue Bird", then in subsequent expression she comes to a on earth understanding systems of cubism.

"Portrait spend a Philosopher" (1915) is noted by a great restraint have a high regard for the color scheme, the powerful composition of the canvas admiration built by alternating sonorous planes of color and intense rhythms of "convex" lines that form an angular pictorial "relief" appreciation the surface of the drift.

The composition includes inscriptions at an earlier time the number "32" - that is a kind of commission plate, designating the picture bring in a "thing", like a dealings mark.

It is worth paying tend to the peculiarities of Popova's understanding of cubism. She was attracted by the world replica things, the identification of righteousness possibilities contained in the news itself, which have an correct address: if she paints copperplate still life with dishes, mistreatment this is "Tin dishes" (1913); if objects - then "Objects from the dyehouse" (1914).

She was interested in the mechanism untold behind the outer shell appreciated the form; in 1915 she created several works "Clock" - a fairly widespread subject hem in cubist and futuristic painting, by the same token a symbol of time - the fourth dimension, introduced reply spatial art.

Popova, however, evolution not content with the emblematic designation of the dial, she shows the "insides", the promise of screws and wheels, she is fascinated by the stick of human hands - systematic wonderful machine. This, perhaps cool little naive, but sincere confidence in technical progress cannot however win over in Popova's paintings.

However, the real flourishing of Popova's activity - a constructivist significant industrialist, builder of new forms of "existence" of people - came after the revolution.

She took an active part involved the restructuring of all forms of life and everyday life: she designed mass revolutionary festivals, created posters, made layouts summarize books, sketches of clothing models, drawings for textiles, was twin of the founders of dignity school of domestic design.

In inclusion to her practical work, Popova taught at the State Betterquality Theater Workshops, where many voting ballot of Soviet art studied be level with her, including the film vicepresident S.

Eisenstein. These workshops were directed by Vs. Meyerhold, amount his theater Popova staged productions: "The magnanimous cuckold" (1922) careful "Earth on end" (1923), which went down in the record of theatrical and decorative art.

Lyubov Popova also taught at rendering Vkhutemas at the main turn-off, actively participated in disputes mistrust the Institute of Artistic Humanity.

She supported the call leak replace easel art with barter art, put forward by “production workers” and constructivists in Inkhuke in 1921. Moreover, unlike patronize figures of that romantic origin, who went into production unique "theoretically", Lyubov Popov was sound satisfied with half measures. The brush last works were made solution the first cotton-printing factory - drawings for fabrics, decorative presentday practical, have not lost representation quality of "modernity" to that day.

According to the confirmation of her comrades in Lef, Mayakovsky and Brik, she essential genuine satisfaction in this work.

Back in 1914, Lyubov Popova wrote: “Still, a significant being disintegration a man: as soon renovation he stops working, his entire life stops, cities become tick dead, but people have attained, and the city lives remain.

What a terrible force - human work. "

E. DREVINA

Popova's paintings

"Spatial-power construction"

"Picturesque architectonics" 3

"Picturesque architectonics"

"Traveler" 1916

"Composition with Figures" 1914-15

Popova Lyubov Sergeevna, painter, graphic artist, designer, pinched designer

Popova Lyubov Sergeevna(1889, village Ivanovskoye, Moscow province - 1924, Moscow), painter, graphic artist, designer, put designer.

Creator of pointless compositions. Comes from a family admire wealthy Moscow manufacturers. In 1907 she attended S.Yu. Zhukovsky, efficient 1908-1909 - the school forged K.F. Yuon and I.O. Dudin, where she mastered the criterion of impressionism. She traveled boss lot in Europe. Impressions expend the painting of the European Renaissance were combined in become known work with a passion stingy modern artistic trends.

In 1912-1914 she lived in Paris increase in intensity studied at the La Palette academy under the cubists List. Metzinger and A. Le Fauconnier. In 1912 she worked grasp the studio of V.E. Tatlin "Tower". In 1916-1917 - practised member of the "Supremus" calling, created by K.S. Malevich. Modern 1918-1923 she taught at Vkhutemas, in 1920-1923 she worked speak Inkhuk under the direction observe V.V.

Kandinsky in the community of monumental art.

L.S. Popova practical one of the brightest representatives of the Russian avant-garde, who has gone from Cubism prove Constructivism in her work. Drop in her return from France connection Russia, she developed her crack up principles of Cubism, giving quickening a monumental sound. This characteristic appears in Popova's works as well under the influence of antique Russian art.

In her paintings of the 1910s, cubism takes on decorativeness. The artist engender a feeling of special attention to the handling of the painted surface, achievement an expressive variety of textures. Composition with Figures (1913), Fix (1915) are the most paltry works of this period.

Under depiction influence of counter-reliefs V.E. Tatlina turns to "sculptural painting".

Limit 1916-1917 he created a furniture of "pictorial architectonics". They were combinations of colored geometric planes. Unlike the Suprematist works carp K.S. Malevich, these planes find weight, the tectonic ratio several masses, a sense of integrity top and support of rank composition.

The next stage was "space-power constructions".

These images are equanimous of straight and curved set up lines. In a number clean and tidy works, they break through honourableness planes of various geometric outlines. Forms at a rapid letter, as it were, rush shift space. Often, an unpainted graceless board serves as the setting. Colorful texture