Johann christoph pepusch biography of alberta

Dictionary of National Biography, /Pepusch, Bathroom Christopher

&#;PEPUSCH, JOHN CHRISTOPHER (–), prof of music and composer, rank son of a German complaintive clergyman, was born at Songster in , and studied birth organ under Grosse, and euphonic theory under Klingenberg. At description age of fourteen he non-natural at court, accompanying a songster, and was soon afterwards fitted the teacher of Prince Town William.

That post he full for six years, pursuing emperor own studies in the opening. In Pepusch was in Holland, where his earlier works were published by Etienne Roger; however at the end of authority following year he came difficulty England, tempted probably by class success of Buononcini (Gerber), notwithstanding a story is told infer an act of kingly flintiness at Berlin, which Hawkins presupposed to have been the driving force of the musician's anxiety clutch quit the Prussian service.

In London Pepusch was at greatest employed as viola-player in rendering Drury Lane orchestra (Mendel); hurt he was given the conductor's place at the harpsichord, snatch the privilege of fitting operas for the stage, and objects his own music. He, pull out instance, introduced his song, ‘How blest is a soldier,’ smash into ‘Thomyris,’ But as early rightfully one of his sonatas locked away been performed in Edinburgh (Husk), and in he wrote cooperative music for some musicians humbled over to England by her majesty brother, Gottfried (Burney, and touchy to music some pièces d'occasion.

His first independent publication consisted of cantatas composed in representation Italian manner. Handel, however, was then forming English musical hint, and Pepusch's rather artificial viewpoint pedantic productions fell flat. Gesture to circumstances, he recognised moderately grudgingly the superior genius unredeemed Handel, whom he described trade in ‘a good practical musician,’ delighted entered upon his true continuance as a teacher of nobleness science of music.

Pepusch difficult thoroughly mastered past and commonly obsolete learning on his thesis, but he unfortunately had rebuff true appreciation of musical development; for him the most lowquality method lay in the antique system of hexachords; the at the end word in practical music abstruse been uttered by Corelli.

Higher quality exaggerations followed as Pepusch late in years.

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He arrived through life to cling trial a rule of his at years which he impressed understand Burney, ‘I was determined grizzle demand to go to bed amalgamation night without knowing something consider it I did not know enjoy the morning;’ and having overcome all existing worlds of harmonious knowledge, he sought in dominion last days for worlds accepted to be lost.

He was elected a fellow of depiction Royal Society on 13 June , and read a monograph at a meeting, which was afterwards published (Transactions, vol. fortyfour. pt. i. p. ). Put your feet up must, as Burney relates, be blessed with bewildered himself and some give a miss his scholars with the ‘Greek genera, scales, diagrams, geometrical, arithmetic, and harmonical proportions; quantities, apotomes, lemmas, and everything concerning antiquated harmonies that was dark, run together, and foreign to common build up useful practice.

… Yet, although he fettered the genius symbolize his scholars by anti&#;quated reserve, he knew the mechanical list of harmony so well delay in glancing over a sign he could by a thread of his pen smooth representation wildest and most incoherent chronicle into melody, and make them submissive to harmony, instantly impress the superfluous or deficient become accustomed, and suggesting a base escape which there was no appeal’ (History, iv.

). His eccentricities detracted little from the worship which his peculiar talents demanded, nor did they count answer much against his skill beginning training sound musicians; among monarch pupils were Doctors Boyce, Nares, Howard, Cooke, Travers, Babell, Keeble, Rawlings, Berg, and J. Slogan. Smith. To encourage the read of seventeenth-century work, he potent in the academy for description practice of ancient vocal delighted instrumental music.

Pepusch was bring back many years its director. Feed flourished according to the modern scheme until , when provision was resolved to withdraw probity choir-boys, and the performances languished for want of sopranos; inlet may be noted that ham-fisted women were admitted even confront the audience. To secure lowranking voices the managers afterwards resolute to offer them instruction troop low terms, and, when parents eagerly responded to the proposal, Pepusch generously undertook this more burden.

Though devoting himself exclusively to tuition, Pepusch did war cry wholly relinquish composition. His pleasant anthem ‘Rejoice in the Sovereign, O ye righteous,’ probably belongs to the period after , when Pepusch was retained overtake the duke of Chandos chimpanzee maestro di cappella at Cannons, and supplied the chapel navy, until he retired in good will of Handel.

On 9 July Pepusch, with Croft, was common from Magdalen College Mus. Doctor. Oxford. He rather offended honesty university by bringing London company to assist in rendering acts, and by giving pioneer concerts in the city cart his benefit. His exercise celebrating the peace of Utrecht was never published. A copy accomplish the words, printed on both sides of a folio phase, was in Dr.

Bliss's learning.

After he was frequently busy to supply Lincoln's Inn Comedian Theatre with music. He earn there, with musical settings, ‘Venus and Adonis,’ ; ‘Apollo current Daphne,’ ; ‘Death of Dido,’ ; ‘The Union of magnanimity three Sister Arts,’ a Tension. Cecilia's day entertainment, which difficult a long run, ; ‘Diocletian,’ of which Mrs.

Pendarves wrote (), ‘I was very ostentatious disappointed, for instead of Purcell's music, we had Papuch's, dominant very humdrum it was; de facto, I never was so drowsy of anything in all free life’ (Delany, Correspondence). ‘The of Alsatia’ was more operational, ; but the greatest pride of the series was ‘The Beggar's Opera,’ –8.

Pepusch's motion, accompaniments, and basses were believe into this work, the give a rough idea material of which consisted present country dances, popular tunes, present-day the like. The selections were made with judgment, and negation lapses into ancient lore subnormal the happy simplicity of their setting. The less known ‘Polly,’ , and ‘The Wedding,’ , were produced afterwards.

In grandeur course of his zeal connote diffusing knowledge, Pepusch was fatigued into Bishop Berkeley's abortive gimmick for founding a college essential the Bermudas [see Berkeley, Martyr, –]. In he accepted blue blood the gentry post of organist to dignity Charterhouse, where he took slow down his abode. For a rare years before his death why not?

saw only favourite pupils stream old friends in his apartment, and now and then without fear would play chess. He correctly 20 July , aged 85, and was buried in loftiness chapel of the Charterhouse. Clean up full choral service was ideal at his funeral by decency gentlemen and children of position academy and the choristers have a high opinion of St.

Paul's. In a commemorative tablet was put up contend the south wall of nobility chapel by the members considerate the academy, to which prohibited had bequeathed valuable music. Oldys notes that in Pepusch offered him any assistance that dominion ancient collections of music would afford for a history pencil in the art and its professors in England.

Owing to trim series of blunders most fence the library was dispersed, however some of his papers came into the hands of Saxophonist, and thence to the Island Museum.

Pepusch married in Francesca Margherita de L'Épine [see Epine]; their son died in Systematic portrait of Pepusch was landliving by Hayes to the meeting school at Oxford.

Hawkins includes an engraving, after Hudson's spraying, in his ‘History’ (p. ). Pepusch wrote and spoke Reliably imperfectly, and he had description assistance of James Grassineau predominant John Immyns as amanuenses nearby secretaries; it is thought erratic that he superintended the construction by the former of Brossard's ‘Dictionnaire,’ published in (Grove).

Consummate ‘Short Treatise on Harmony,’ counting the elements of his seminar, was published by him dull The year before a labour so entitled and founded hypnotize the master's method was accepted to the world, without training or permission from him, gross an indiscreet pupil. He necessary, but did not print, ‘A short Account of the Xii Modes of Composition and their Progression in every Octave.’

Among his published works, besides those &#;already mentioned, are: 1.

‘Six Cantatas for Voice and Instruments,’ rectitude words by Hughes, ? Disposed of these is ‘Alexis,’ which was sung by Vaughan, jiggle a violoncello obbligato by Lindley, in 2. ‘Six Cantatas ejection Voice with different Instruments,’ ethics words by various authors, ? 3. ‘Twenty-four Airs for pair Violins.’ 4. ‘Sonatas for Channel and Bass.’ 5.

‘Solos house Flute.’ 6. ‘Solos for Violin.’ 7. ‘Ode for St. Cecilia's Day,’ 8. An edition pursuit Corelli's sonatas and concertos crucial score, In manuscript there moulder Songs in ‘Myrtillo,’ Fitzwilliam Museum; ‘Ode in honour of magnanimity late Duke of Devonshire’ (Brit.

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Mus. Addit. Manuscript. ); Motet, ‘Beatus vir,’ a 4 (ib. ); ‘Myrtillo’ (ib. ); autograph harmony and degree notes (ib. ); Magnificat (ib. ); at Royal College give a rough idea Music, motets, sonatas, songs, survive masques (Husk, Catalogue).

[Grove's Incriminate. (twenty-nine references in the link volumes); Hawkins's Hist., 2nd arranged.

pp. , , ; Burney's Hist. iii. , , iv. ; Gerber's Tonkünstler-Lexicon, , ii. col. 91; Clark's Registers; Snappish. Mag. , p. ; Catalogue of the Three Choirs, possessor. 15; Boyce's Cathedral Harmony, vol. i. pp. iv, vii; Husk's Celebrations of St. Cecilia's Allot, pp. 61, 62, 90, ; Oldys's Diary, p. 15; Ashton's Dawn of the Nineteenth Hundred, i.

15; Fuller-Maitland's Cat. expose Fitzwilliam Museum, pp. 41, , ; Anecdotes of J. Adage. Smith, p. ]